Wednesday, 31 July 2013

Left to the Cats

It was a sight I’d seen many times before. This one had chosen the quiet solitude of a mountain top overlooking Souda Bay. The ruin of it was beautiful. The bare stone had traces of white; scraps of flesh over bone. In youth, the building would have been handsome; the home of some romantic Adonis who had seen the view and knew his young wife would love it too. Now, tendrils of ivy twisted and seeped into cracks to pull the walls back to the earth.

The ceiling had fallen, the walls left at varying heights and the remains of a stone archway folded itself wearily over what once would have been the entrance to a courtyard. There was enough of a structure to see what the home would have once looked like. Images of Greek houses lining the bay below allowed me to fill in the gaps. Sky blue domes, wooden shutters, pottery urns filled with petals and climbing vines, a smooth, unblemished skin of white. We all saw the potential it had; we all heard the call of a retreat in the making; we all stopped and took a moment to dream. But the cats lay claim to it now as they rubbed their dusty bodies along the rough stones and sat atop the highest points to glare down at us in regal pride. As though sensing our ambitious visions of transformation, they had appeared from nowhere in droves, as though born from the crevices themselves, and as we left more came until the grounds of the ruin, inside and out, were crawling with pads and concealed claws.    


As our coach dismounted the mountain, winding around the snaking roads that hugged the cliffs, we passed an old woman, spine bent and feet shuffling, making her way to the top. Like so many others, she wore black from head to toe and carried in her hands a clutch of flowers. She was a woman on a pilgrimage, and as we passed her slowly I wondered at her destination. Was she climbing to lay her flowers at the foot of the tired archway? To shoo away the cats and sit a while in her long ago castle? To remember the hands of her husband as they had built and sculpted her precious wedding gift? We watched her painful journey until the next bend stole us away.       

Thursday, 25 July 2013

A Close Call

She calls me
with her mewling
that killer
with dark eyes
and twitching tail tip

Feathers matted
slick with saliva
and cradled
in pointed blades
of green

An eye flickers
a breath puffs
a wing splays
a foot twists
a body half hidden

I hiss her away
seal her behind glass
and with gentle finger
stroke and touch
a life now in reach

I back away
to give him space
to let him know
he can go if he can
but she finds a gap

A shout echoes
a foot leaps to shoo
and with cupped hands
I lift him
to fly away



Wednesday, 24 July 2013

Carp Poem

by Terrance Hayes

After I have parked below the spray paint caked in the granite
grooves of the Fredrick Douglass Middle School sign

where men and women sized children loiter like shadows
draped in the outsized denim, jerseys, bangles, braids, and boots

that mean I am no longer young, after I have made my way
to the New Orleans Parish Jail down the block

where the black prison guard wearing the same weariness
my prison guard father wears buzzes me in, 

I follow his pistol and shield along each corridor trying not to look
at the black men boxed and bunked around me

until I reach the tiny classroom where two dozen black boys are
dressed in jumpsuits orange as the pond full of carp I saw once in Japan,

so many fat snaggle-toothed fish ganged in and lurching for food
that a lightweight tourist could have crossed the pond on their backs

so long as he had tiny rice balls or bread to drop into the water
below his footsteps which I’m thinking is how Jesus must have walked

on the lake that day, the crackers and wafer crumbs falling
from the folds of his robe, and how maybe it was the one fish

so hungry it leapt up his sleeve that he later miraculously changed
into a narrow loaf of bread, something that could stick to a believer’s ribs,

and don’t get me wrong, I’m a believer too, in the power of food at least,
having seen a footbridge of carp packed gill to gill, packed tighter

than a room of boy prisoners waiting to talk poetry with a young black poet,
packed so close they might have eaten each other had there been nothing else to eat.

The Place I Want To Get Back To

is where
    in the pinewoods
      in the moments between
        the darkness

and first light
    two deer
      came walking down the hill
        and when they saw me

they said to each other, okay,
    this one is okay,
      let's see who she is
        and why she is sitting

on the ground like that,
    so quiet, as if
      asleep, or in a dream,
        but, anyway, harmless;

and so they came
    on their slender legs
      and gazed upon me
        not unlike the way

I go out to the dunes and look
    and look and look
      into the faces of the flowers;
        and then one of them leaned forward

and nuzzled my hand, and what can my life
    bring to me that could exceed
      that brief moment?
        For twenty years

I have gone every day to the same woods,
    not waiting, exactly, just lingering.
      Such gifts, bestowed,
        can't be repeated.

If you want to talk about this
    come to visit. I live in the house
      near the corner, which I have named
        Gratitude

Wednesday, 17 July 2013

Understanding Squirrels

He sat and ate a berry in front of me
his mouth working so fast
as though he had a lot to say
so I listened
intent before I realised
I could not speak squirrel
and yet I knew
he was annoyed
when I edged nearer

and he scrabbled away.

My Faith to Me - Re-write

is a sloppy kiss
on the smooth of my forehead
that I am all too quick
to wipe away;

is a strong hand
reaching out
to brush the dust from my skin
when I have sat too still;

is a licked finger
smearing
across my chin
to eliminate the dirt;

is a friendly voice
blasting through
the din of a mocking crowd
with truth;

is a trail of footprints
stretching ahead
deep troughs in the sand
like inverted stepping stones;

is the first bite of dinner
that fills my tank
and sends me out
to jump in the puddles;

is a letter
in permanent ink
folded in my pocket
until the creases crack;

is the warmth of fire
on frostbitten fingers
and lashes frozen
by tears;

is the spread of a map
leading
always in the right direction
rarely by the shortest route;

is the place
I rest

and take time 
to breathe.

Tuesday, 16 July 2013

If Only

The lift doors winked gold and silver. I’d been waiting for this day ever since we arrived. The Empire State Building was the cherry on top of the icing on my New York cake. Long queues of colourful tourists snaked between ropes and chattered in what felt like seventy six different languages. Irritable children leaned against patient parents, asking for juice, for crisps, for I Spy, for 20 Questions, for the fun to start.

Inside the lift my excitement grew. This was it. The bell pinged, the doors slid open and…it was tiny. Cramped. I had to utter ‘excuse me, pardon me’ about twenty times. How had they made it look so spacious on Sleepless in Seattle? I approached the edge, rested my hand on the viewer that may have been touched by Tom Hanks, and stared out over New York. The view, at least, was not tiny. Although cramped it was. How did people find space to move between all those buildings and cars and bus shelters and kiosks? The city was a smart grid of tarmac, an ordered circuit board of electricity and sparks. Central Park sat like a postage stamp. It had taken us ages to walk its length and width, and an entire afternoon to appreciate the zoo situated in one corner. I couldn't even see that zoo now, couldn't fathom how it fit. I felt like a child in my father’s arms, looking down on the world with a new perspective. I imagined standing on street level and seeing myself looking down from the top, my head a tiny pinprick balanced between brick, glass and sky.

The man in my ear told me to locate the driving range set over the Hudson River. This was where the Titanic had been due to dock. He told me to move round (excuse me, pardon me) to look at Ground Zero. He told me that at 9.49 am on 28th July 1945, Lieutenant Colonel William Smith had crashed a B25 bomber into the north side of the Empire State Building on the 79th floor, and yet here it was, still standing.


Later, I thumbed through a book of photographs taken at the time of construction. I looked at the flat-capped men stood precariously on girders, the city a flow of microscopic activity beneath them, and thought ‘If only you’d been around to build the Twin Towers.’